Department of the Newly Uncovered: Seth Siegelaub’s Artist’s Contract
We just uncovered a batch of Seth Siegelaub’s original Artist’s Reserved Rights Transfer and Sale Agreement from 1971.

We just uncovered a batch of Seth Siegelaub’s original Artist’s Reserved Rights Transfer and Sale Agreement from 1971.
A survey of SVA subway posters in Warsaw.
Robert Delpire and Push Pin Studio’s mutual admiration resulted in exhibitions in both New York and Paris.
In 1964, SVA’s Visual Arts Gallery hosted the Bettman Panopticon, an exhibition of works by the leading art directors and designers of the day created from materials in the Bettmann Archive, the trove of vintage clip art and photos.
65 Self-Portraits is one of the best documented of the remarkable series of exhibitions organized by Shirley Glaser while she was director of SVA’s Visual Arts Gallery, 1964-1969.
The tension between the accidental and the controlled is almost always present in the work of George Tscherny.
The 1964 course announcement for Henry Wolf’s and Melvin Sokolsky’s photography course at SVA manages to be both instructive and artful, assembling outtakes of the instructors’ portraits in a way that elevates them.
Milton Glaser got minimal for SVA’s 40th Anniversary logo.
Tony Palladino created this indelible image for an SVA poster in 1989.
Milton Glaser’s menagerie of figures for the School of Visual Arts, 1971.
We love our LeWitt here at Container List, and we recently found some very early exhibition announcements for his work at SVA and other galleries.
Milton Glaser’s sketch for the Working drawings and other visible things on paper not necessarily meant to be viewed as art poster became a part of the artwork.
A 1961 exhibition of the work of the SVA Department of Illustration is a who’s who of the practitioners of the new expressive and painterly illustration of the time.
Squigglyman and Captain Cross-Hatch will be back right after they foil Dr. Ugg, who is about to detonate his diabolical Gloomsday Device.
In 1964, the Sanders Printing Corporation invited SVA’s graduating class to produce its periodic promotional publication, Folio.
Henry Wolf created this School of Visual Arts course announcement for his friend, photographer Melvin Sokolsky.
Labor Day has come and gone, and the Autumn equinox is only a week away; as a send-off to summer, I dug up this charming 1984 promotion for a show at the Visual Arts Museum, featuring a motley assortment of artists—just about everybody under the sun: Fernando Botero, Red Grooms, Alex Katz, Richard Prince, and plenty of others (click through for a list).
This detail for a 1956 poster for the Cartoonist & Illustrators School by George Tscherny. Rebranded as the School of Visual Arts later that year, the designer had a long and fruitful relationship with the institution.
SVA’s early subway posters helped raise the school to a new plane of artistic and intellectual pursuits.
A retrospective of Milton’s Glaser’s design work for SVA opens today at SVA’s Visual Arts Gallery (601 W. 26th Street, NYC).